Slimak, Krauchen, Mangrove Kipling, Qledub, CATALOGUE LAUNCH
Culture Promotion Association ‘Kamienica’, ‘Lamus’ Creative Thought Club and Terminal08 Gallery invite you to:
Opening of the 10th exhibition ofl ‘Art as Experience’ project with a launch of a catalogue documenting all the exhibitions, a gig and the party.
Projekt finansowany z budżetu Miasta Gorzowa.
Froject supported by Gorzów City Council.
15. GRUDNIA, PIĄTEK
DECEMBER 15th, FRIDAY
18.30 – TERMINAL08 – UL. GROBLA 15, GORZÓW
ŚLIMAK – happy neW yeAR
OTWARCIE WYSTAWY / EXHIBITION OPENING
PROMOCJA KATALOGU / CATALOGUE LAUNCH
20.00 – LAMUS – SIKORSKIEGO 5
Krauchen (Koba + KniFeLooP) – Berlin
Mangrove Kipling – Berlin
DJ QLEDUB – Gorzów
WHEN I FIRST TIME SNIFFED TURPENTINE I KNEW THAT I WILL PAINT
WHEN I FIRST TIME SNIFFED WHITE SPIRIT I KNEW THAT NOT ONLY AT HOME
New project from sonic experimentors KniFeLooP and Koba.
Koba is a guitarist and bassist, using computer, effects and loops for instrumental improvised music, noise or electronic compositions.
Beat machines, contact microphones, objects, midi programmation come along according to the mood and the project.
Koba Live Solo @ Salon Bruit radio show
Koba also takes part in different music projects such as DarKrift, FroggyBurger, DanRela or Itemsmay shift
Beat machines, mikrofony dotykowe, obiekty, programowanie midi (musical instruments digital interface) pojawiają się według (w zależności od) nastroju i projektu.
Séamus O´Donnell works on different sound art projects since 1999. Solo or collaborative projects (for performance or installations) can include FM radio experiments with receivers and self built mini-transmitters; reel-to-reel tape machine loop or relay set ups; or a live set with any mix of manipulated field recordings, self made devices and other more traditional instruments, machines and voice.
“Right now I am most interested in live-sampling of sounds and noises, whether acoustic or electronic, the repetition and manipulation of these samples and the discovery of new sounds on this journey.”
Musician and sound-performer. Lives and works in Berlin.
Modified Bass and live processing.
Next to an electronic music practice based on field recordings (laptop), straight-mix and the recent use of the cello in his setup, the guitar plays a main part in his soundscapes, and its voice mixes with objects, glitches, frequencies and impacts of samplers and effects in order to disrupt the connection between the object that one sees and the perception of it that one gets. Has recently started to work with hybrid/modified guitar and bass.
“The borders are subtle, and my work fluctuates between the alienation of known affects, disturbing the usual reception, and the habilitation of unknown ones, making them familiar to our ears. In other words I tend to narrow the gaps between admitted percepts, disturbing the audience’s awareness by taking them on a journey in an “hypnosonic” state.”